Porcelain identity
Porcelain identity- an exhibition by Kaunas international Bone China Symposium.
4 October - 1 December 2024
Curator: Maris Grosbahs
Ogre History and Art Museum.
Brivibas street 36.
LV-5001.Ogre. Lativa
Fingerprints, made by me
Handmade
Bone China. Gold Luster. Wooden stand.
45 x 45 x 5 cm
I use my fingers to create a visual language to explore my personal identity. I challenged myself to use Bone China to make a circle shape, to express my feelings of living ' in-between' two countries (UK and Taiwan).
Sustainability landscape
Mould-making, handmade.
Bone China. 24 carat gold leaf.recycle plastic material. Plaster. Ceramic ditigal prints.
I used these three sculptures to explore the relationship between different marterials.
I also wonder how I can be more concerned about our earth through the making process.
2020 Kaunas Bone China Symposium
https://www.wenhsichenceramics.com/2020-kaunas-bone-china-symposium.html?fbclid=IwY2xjawG5aa9leHRuA2FlbQIxMAABHZ_VbWgvalCvDbieRfmZVCARNkAXA2PK-NK05Q4cU9ubPeJOlVsggwuAZg_aem_iKMtq9AYkvyDoT6FmRpN7A
4 October - 1 December 2024
Curator: Maris Grosbahs
Ogre History and Art Museum.
Brivibas street 36.
LV-5001.Ogre. Lativa
Fingerprints, made by me
Handmade
Bone China. Gold Luster. Wooden stand.
45 x 45 x 5 cm
I use my fingers to create a visual language to explore my personal identity. I challenged myself to use Bone China to make a circle shape, to express my feelings of living ' in-between' two countries (UK and Taiwan).
Sustainability landscape
Mould-making, handmade.
Bone China. 24 carat gold leaf.recycle plastic material. Plaster. Ceramic ditigal prints.
I used these three sculptures to explore the relationship between different marterials.
I also wonder how I can be more concerned about our earth through the making process.
2020 Kaunas Bone China Symposium
https://www.wenhsichenceramics.com/2020-kaunas-bone-china-symposium.html?fbclid=IwY2xjawG5aa9leHRuA2FlbQIxMAABHZ_VbWgvalCvDbieRfmZVCARNkAXA2PK-NK05Q4cU9ubPeJOlVsggwuAZg_aem_iKMtq9AYkvyDoT6FmRpN7A
